Sword Coming
剑来
English Prompt:
In the style of Japanese painter Osao, "Ten Thousand Swords Return to One," where heaven and earth lose their color. The protagonist hovers mid-air, eyes closed in deep concentration as they channel a divine spell, transcending mortality to embody sainthood. The technique manifests visually with extreme detail, blending Loish's fluid art style—liquid pigments swirling and coiling like living entities—with explosive abstract Fauvist brushstrokes. The composition is grand in scale, featuring large-format liquid ink splashes, with dense, interwoven trails of pigment smoke enveloping the figure. Heavy acrylic textures and oil-painting palette-knife scrapes create layered, distinct strokes, while the background and subject merge into a chaotic unity.
Breaking traditional composition rules, the scene adopts an extreme low-angle perspective, with the protagonist occupying three-quarters of the frame. Countless flying swords and spiritual energy explode around them in a storm of pigment, the background twisting into a vortex of intertwined liquid hues. Each splatter of paint carries the overwhelming force of deities capable of suppressing heaven and earth. The protagonist’s white robes billow without wind, surrounded by a restrained yet majestic halo of sword intent.
Where their will extends, billions of ancient swords materialize in the void, their blades cold and gleaming like an inverted galaxy, silently awaiting command. In an instant, an invisible divine force draws the swords together, converging into a radiant river of steel that bridges sky and earth. The swirling sword current emits a low hum, its latent power capable of annihilating all existence. The air splits under the sword energy, space warping faintly—capturing a moment of supreme stillness before cataclysmic release. The scene emphasizes the protagonist’s transcendent control and the awe-inspiring submission of the swords, with stark light-and-shadow contrasts heightening the sacred yet deadly atmosphere.
Crushing pressure, godlike majesty, and grand narrative scale dominate. Liquid pigments dance in abstract Fauvist strokes, while flowing colors and large-format ink techniques create an ethereal mist of rising pigment. The acrylic-oil hybrid texture delivers bold, impactful hues, blending foreground and background in unconventional composition. Breaking norms, the figure’s limbs extend like liquid, divine halos radiating outward as space distorts and trembles. Energy ripples materialize, pigment solidifying into sacred sigils—oppressive, soul-shaking, and breathlessly awe-inspiring.
中文Prompt:
In the style of Japanese painter Osao，万剑归宗，天地失色，主角悬空闭目凝神施法，超凡入圣 功法具现化，极致细节刻画，Loish流动艺术风格，液态颜料如缠绕翻腾，抽象野兽派笔触爆发，大画幅液态泼墨，浑身萦绕交织的颜料烟雾，厚重丙烯肌理与油画刮刀质感，颜料涂抹层次分明，背景与人物混沌交融，打破传统构图，极端仰视视角，人物占据画面四分之三，万千飞剑与真气在周身形成颜料爆炸效果，背景扭曲成漩涡状交织的颜料洪流，每一笔颜料飞溅都蕴含镇压天地的神魔之力，白衣无风自动，周身环绕磅礴而内敛的剑意光晕。意念所至，虚空中浮现亿万柄飞剑，剑身古朴，寒光闪烁，如星河倒悬，静默待命。刹那间，所有飞剑受无形神念牵引，缓缓汇聚成一道连接天地的璀璨飞剑洪流。剑流缓缓转动，发出低沉剑鸣，虽未爆发，却蕴含着毁天灭地的恐怖威能，剑气撕裂长空，空间隐现褶皱，画面展现极致的宁静与即将爆发的无穷力量，聚焦主角超然的掌控力与万剑臣服的震撼场面，光影对比强烈，渲染出神圣而肃杀的氛围。极致压迫感，天神级威严，宏大叙事，液态颜料飞舞 抽象野兽派笔触 流动色彩风格 大画幅液态 颜料烟雾升腾 丙烯油画质感 色彩大胆冲击 背景前景交融 非传统构图 打破常规 液态肢体延伸 神性光晕扩散 空间扭曲震颤 能量波动具象化 颜料凝结神纹，压迫感窒息 震慑灵魂，
Resolution: 1266×1900