Masked Ball: The Shattered Paint and Soul
假面舞会：撕裂的油彩与灵魂
English Prompt:
Interpret the dual imagery of 'mask' in the style of abstract expressionism, using torn brushstroke layers and contrasting color personalities to freeze the existential dilemma of a 'masquerade' on the canvas. The main color palette employs the vermilion of oil paint, the cold gray of metal, and the decaying moss green, creating a visual shock of 'the painted skin peeling away to reveal the true self' through cracked, thickly textured impasto and abruptly peeling surface structures. At the center of the composition, a suspended illusion reminiscent of an ancient Greek tragic mask appears to 'smile yet not smile' against a chaotic background interwoven with deep purple and lead white—exaggerated suture lines and shimmering eye highlights collectively construct the identity anxiety of 'life as a play.' Within the material alienation of abstract expressionism, the work integrates the primal tension of Nuo opera masks and the spiritual convulsions reminiscent of Bacon’s 'Screaming Pope.'
(Note: Fusing the transformative schema of Dunhuang’s 'Demon Subjugation' transformation tableaux with Jung’s theory of the persona, and through AI’s precise control of multi-layered rendering algorithms and emotional simulation parameters, the piece reconstructs the Eastern philosophy of 'knowing a person’s face but not their heart' and the eternal quest for self-identity within the Western expressionist language of suffering.)
中文Prompt:
以抽象表现主义风格诠释‘面具’的双重意象，运用撕裂的笔触层次与对立的色彩人格，在画布上凝固‘假面舞会’的存在困境。主色调采用油彩的朱红、金属的冷灰与腐朽的苔绿，通过龟裂的厚涂肌理与突然剥离的表层结构，形成‘画皮脱落现本相’的视觉惊颤。画面中央如古希腊悲剧面具般悬浮的虚像，在深紫与铅白交织的混沌背景上‘似笑非笑’——那些被刻意夸大的缝合线迹与闪烁的眼神高光，共同构建出‘人生如戏’的身份焦虑，在抽象表现主义的物质异化中，既融入了傩戏面具的原始张力，又注入了培根‘尖叫教皇’的精神痉挛。
（注：融合敦煌《降魔变》的变相图式与荣格人格面具理论，通过AI对多层渲染算法与情绪模拟参数的精确控制，在西方表现主义的痛苦表达中，重构东方‘知人知面不知心’的处世哲学与自我认同的永恒追寻。）
Resolution: 936×1664